Fiddle-dee-diddley-dee .. Five Ladies

 

These ladies having been sitting in my in box for a bit, so I thought they should come out and undergo a moment under the blaze of the Gänzlscope...

Eliza

Harriet

Constance

Norah (aged 5 1/2)

and Jessie

Most of them, give or take some execrable handwriting, confessed their identity pretty finely.  Eliza was well inscribed

So, was it 'little Lydia' who re-inscribed the picture, many years later? Eliza Esther COOPER was the daughter of George Cooper, and she was born at Milton-near-Gravesend in 1847, soon after his marriage to Miss Sarah Snoswell. Father was a steward on a steam-packet, later 'second waiter', and finally he came home from the sea and settled at Orsett as a 'carriage cleaner'.
In the meanwhile, he had given Eliza two sisters and two brothers, and the family had moved to another maritime town, Southampton. In the 1871 census, Eliza can be seen working as a cook at the Lodge, Jervis Street, Bournemouth, but she soon became the wife (24 July 1871) of one John Charles Powell, carpenter, and gave birth rather too quickly to 'little Lydia' -- Lydia Sarah Powell. There were to be six more children before Powell's death in 1888.
Oddly, it seems that while John and Eliza brought up their other children, Little Lydia was brought up by her Cooper grandparents, and she lived with the widowed Lydia Ann Louisa Cooper for some twenty years. In 1906 she married Glasgow art master, Donald Wilkie who survived her when she died 31 October 1960.
Eliza remained in Southampton, where she died, at 7 Forest View, 1 January 1939.

Oh 'love to Aunt Fanny'. Fanny Sugden Cooper (1853-1947) was indeed Eliza's sister. A lifelong spinster.


Next up: Harriet.

Harriet Mary WARREN (b Cambridge 17 March 1836; d Surrey 10 February 1914) was born in Cambridge, the daughter and first child of John Warren, liquor merchant' and his wife Harriet Elizabeth née Wettenhall. Mr Warren can be seen in the town's Downing Street in 1841, selling wine, and having added twice to his stock of children. By 1851, he has become a commercial traveller, the children count has risen to seven, but the population of their home in Maid's Causeway also includes two house servants, so I guess he was travelling hopefully. In 1861, papa is a 'commission agent'. Hmmm. Still seven children (no mean feat in the era), but down to one servant. Two of the boys are now merchant's clerks, but Harriet is not working. And in 1867 she married. By which time papa was billed as 'esquire'.
Her husband was Jacob Stanley (b Torrington 1840; d 30 Crescent Grove, Clapham 7 July 1920) , son of a decidedly active Wesleyan minister, and born while father was stationed in Devon. Intended to follow the paternal profession, he was sent to St John's, Cambridge, where he duly gained his MA, married Harriet, and went to work as ... a brickmaker in Nuneaton, with brother Reginald. But Jacob's heart was not solely in bricks and tiles. He became a prominent member of the Nuneaton Amateur Dramatic Society, and the painter of their scenery. He also painted in oils, and eventually he retired from business as described himself solely as an historical painter in oils. 

The family moved to Nightingale Lane, Streatham, where three of the four daughters also went in for painting. The fourth was named Mabel Stanley, a name dear to all followers of The Pirates of Penzance.
Harriet seems to have been an invalid latterly, and died in 1914; Jacob in 1920. His story can be read at http://www.reginaldstanley.com/jacob-stanley.php

Jacob Stanley

Constance and child ..

Constance BACCHUS (b Edgbaston 15 July 1853; d 33 Longridge Rd, Earl's Court 9 October 1914) came from a substantially well-off family. Her father, William Bacchus (1812-1857), was a manufacturer of iron and a pillar of the Birmingham Hospital, and her mother, Emma née Saunders (1817-1884), left a widow with five children a few years after Constance's birth, kept up an establishment at Eastwick House, Great Malvern, with her four daughters (Maria, Catherine, Annie & Constance), one son, a governess, a nurse, a lady's maid, a cook, three house servants ... They subsequently removed to Hastings, where Constance married Dr Douglas Duke (b Chichester 1850; d Villa Albert, Cannes, France 22 February 1900)), and gave birth to the baby above, Douglas St John Duke (b St Leonards 24 June 1877; d Guildford 8 May 1942),  and thereafter a Dorothy Constance (1879-d Villa Albert, Cannes, France 4 March 1900) and a Neville Oswald (b St Leonards 21August 1880; d 16 June 1933), ans a second daughter (23 October 1884) who did not survive.

Douglas became a solicitor, Neville a dentist. After the deaths of her husband and daughter, Constance sold up their home, Winstowe, on the Pevensey Rd, and left Hastings for Earl's Court, and subsequently a residential hotel, with her sister Annie, up to her death in 1914.

Norah aged 5 1/2

Norah Madeline BATTYE (b 66 Queens Gardens Paddington 15 June 1873; d 84 Cadogan Square 13 February 1957)

Looks a little madame in the making, yes? I was sure there would be a story behind this one. But ... it seems, just a comfortable life, largely in the salubrious confines of London's 84 Cadogan Square, with lots of money, lots of servants, the occasional reported appearance at court or at someone else's fashionable wedding.  

Norah came from a family of landed gentry and legal gentlemen .. on both sides. An article I came upon describes thus: 'In 1866, Richard Battye, of Skelton Hall and Crosland Hall,Yorkshire, married Frances Bibby, the daughter of James Jenkinson Bibby, the High Sheriff of Shropshire and an enormously wealthy man who had founded the Bibby Shipping Line. In 1867, Richard and Frances had their first child and only son, Lionel Richard James Scholefield Battye, who went on to an Eton education and a career in the 13th Hussars where he rose to the rank of Captain. He thus became well known as Captain Battye.
Captain Battye's father and grandparents died between 1869 and 1873, leaving 331 acres of West Riding land and property to his widowed mother, Frances. This included land in Ossett, including Sowood Farm, and in Horbury including Hallcroft, Nether Hall (subsequently the Shepherd's Arms), and Horbury Hall. Many of the Horbury land and property ownerships had once belonged to John Scholefield who was, of course, Captain Battye's great grandfather.
Captain Battye's mother, Frances, died in 1921 and Captain Lionel Richard James Scholefield Battye of 64, Cadogan Square London died on 15th May 1947 and the huge estate which he inherited was subsequently sold.
Part of the Bibby Estate was Hardwick Grange where the Battyes hung out.

84 Cadogan Square

Anyway, Lionel Battye was Norah's only brother. But there were several surviving sisters Millicent Audrey (1871-1966), Hilda Frances Marion (1869-1953, Mrs Alfred Bibby), Marjory Cecil Rachel (1874-1899, Mrs George Percy Brasier-Creagh) .. and more than enough of everything to go round ten times. 

But the family had its tragedies.  Father Richard died 'of an accident' (no one says what kind!) at Hardwick Hall aged 39. Marjorie married a capatin in the Bengal Lancers, went out to India and died in Rawalpindi bringing a little Brian Richmond Brasier-Creagh (12 September 1899) into the world. The widower left India for South Africa and a command with Roberts' Horse. Within four months of his wife's death, he too was dead. Little Brian was sent back to Britain, grandmother Frances and aunties Muriel and Norah. And so it goes on ...

In 1939 the three unmarried siblings -- Lionel, Muriel and Norah -- are living together ..

Well, if Norah herself didn't have a story, her family certainly did.  

Jessie

Jessie Fernley BRUNDRIT (b Runcorn 18 February 1856; d 37 Croxteth Rd 29 November 1907). Yes, it was Brundrit. Daughter of William Wright Brundrit (1828; d The Mount, Runcorn 29 July 1873), stonemerchant and shipbuilder, director of the local waterworks, and of his wife Mary Anne née Hazelhurst (1831-1912), also from Runcorn (m  31 March 1853). What a beautiful young girl.

She, too, lost her father (latterly a quarry owner, magistrate, JP) at a too-early age, just 45, after he had fathered a brood of chicks -- Dennis (1854) xx (1855), Jessie (1856), Mary Anne Hazelhurst (1857-1883), Helen Ada Louisa (1860), William Hazelhurst Wight (1862), Fanny Eliza Octavia (1863), Arthur Fernley (1866) -- but there were plenty of Brundrits in town to help out ...

Well, I don't know if they did .. but Mary Anne obvioiusly helped out herself.  In 1881 sjhe is visiting the very well-off family of a Heaton Norris cotton-merchant. Surname: Fernley. Oyoy! In 1891, I see her as the wife (?) of an elderly Scots retired chemical manufacturer named Neil Mathieson, at Beechfield 9 Croxteth Rd, Toxteth Park.  Jessie, aged 45, is with them and .. a cook, two housemaids, a kitchenmaid, a waitress ...  Oh! Look! 1893. Cabin class to New York! Jessie Brundrit, no profession, transient passenger from Liverpool along with Mrs L? J Mathieson, children May and Nora, a nurse ... going to Saltville ..

So who are these Mathiesons? There is Neil (b Scotland 1823; d New Brighton 18 September 1906), all right, living in Runcorn already in 1871. A widower, with 3 daughters, 2 sons .. 'manufacturing chemist and copper extraction ..' .. and Yes! 1880. Married Mary Anne Brundrit! 

Neil left over 100,000L ... but I think children of the first Mathieson marriage saw more than the widow. Still, when Mary Anne died at Croxteth Rd, 26 November 1912, she left a comfy 7880L. 

PS Well! Mathieson was born in Campelltown, Scotland and came to work for J&T Johnson, soap and alkali makers in Runcorn, where he became works manager. Around 1860 he joined two other Johnson's workers, in setting up the Old Quay Works in Runcorn to make soap and to extract copper by the Henderson wet process. In 1865, when John & Thomas Johnson became registered under the Companies Act as the Runcorn Soap and Alkali Company, Mathieson invested in the company, buying 175 shares. He left the Old Quay Works to set up his own business, Matheison and Company in Widnes in 1870. Matheison and Company became one of the most important companies in Widnes. Its main business was producing alkali by the Leblanc process and they also produced glycerine from soap waste from Gossage's. Later Mathieson's third son, Thomas Train Mathieson, became a partner in the business.

Neil's eldest son, Douglas Dugald (1861–86), an assistant manager at the works, was killed after being struck by a falling derrick. In 1892 Mathieson obtained a charter in Saltville, Virginia (yes!) to open an alkali plant, buying out the Holston Salt and Plaster Company. His son Thomas Train Mathieson went to USA to supervise this business, the Mathieson Alkali Company, which was later to develop into the Mathieson Chemical Corporation.

Well, Jessie, you turned out to be quite a can of Runcorn beans!

So that's my five ladies identified. Quite a bunch!

I think I deserve a slightly early apéritif!

VICTORIAN VOCALISTS: THE PAPERBACK

 Thursday, 02 September 2021

Victorian Vocalists: Book Review

Written by Allister Hardiman

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BOOK REVIEW: Victorian Vocalists, Routledge, New York, 2020 (paperback)

Victorian VocalistsMemory does not fade, it sinks slowly to the bottom of the cultural seabed where the more leisurely historian may pick up a forgotten item or two for later display, but a good historian works his oars upon the surface of the water, rowing all those he can from ship to shore so that their reputation, influence and admiration may continue.

Kurt Gänzl is such a master-oarsman. His Victorian Vocalists—now in its paperback incarnation—is another desirable work: a compilation of 100 singers, many of whom have not been celebrated in solid sources, or who have been hurriedly celebrated with that unjust brevity that editors—with one eye on page real estate—must reduce to a few lines.

At first glance Victorian Vocalists looks comprehensive in its choice of subjects but Kurt himself will tell you that for every one that was included, many were packed, readied and perfumed, but no stately barge came to collect them. The entries themselves though, are as comprehensive as Gänzl could make them (juicy stories held back for reasons of space and gravity, of course) and in what appears to be a Gänzl hallmark, many accurate items appear here that do not appear anywhere else. As I said, he is a master oarsman.

The Gänzl accuracy of included matter, and well-ordered entries leads to another Gänzl hallmark: the impression of a finer class of gossip. Part of the charm of his writing is the affection that he has for those who were born blessed or cursed; strived in vain or to profit; failed completely or succeeded unexpectedly; fell from grace or soared to heights; married into the aristocracy or married the confectioner; divorced in public or lived defiantly in sin; retired with majesty or died in poverty; lived after in books or lay buried unknown. There is an injustice to being forgotten if one has dared to strive in life, and here in Victorian Vocalists, there is some redress. Gänzl has a happy knack of knowing how to bring an engaging lilt to the cold language of dates and places, and so softens the ’necessaries‘ (births, deaths, marriages, concert highlights, and so forth) with just the right amount of seasoning and style. Gänzl was in the course of his career a singer with a fine basso voice, and so, I suppose, the instinct of the performing voice to hit not only the notes in pitch and length, but also to sell the song’s story by sentiment and subtlety has its twin in his voice upon the page. Would I be abusing metaphor to say that his writing entertains?

Another important feature is his choice of abstracts from various sources when he wishes to echo a printed sentiment or observation; many authors choose quotes or abstracted matter with little care, but Gänzl chooses his material as an manager might choose the vocal cast for a stage work—with great care—and this lends an ease of prose colour to the blocks of text; he is easy to read, and doesn’t make you regret the effort.

It is fruitless to name and number the persons Gänzl has rowed to shore with their slippers still dry, but among those upper hundred that he and Routledge have presented, one will find people like the slightly batty and wistful Ilma di Murska; the booming Agostino Susini who met his end by carriage accident; that sweet workhorse of the concert platform, Annie Tonnellier; and Priscilla Horton, who was blessed by the Muses with the twin gifts of singing and acting. Some of my personal favourites are the Vitellis, Giovanni and Annie, whose influence in Australia’s wild early days was long but at the time, barely noticed; the polarising Pasquale Brignoli who found fame in America; and the still neglected Caradori Allan of whom Gänzl says ’…was one of the greatest of all Victorian vocalists’.

As to the production of the book itself, I find it thrice valued: a thorough reference work and desirable addition to any historian’s shelf; a charming conversational exemplar of style from whose selection one may reacquaint oneself with any significant life and its highlights; and a good looking production by Routledge with a bold red cover similar to Gänzl’s two-volume master work on Emily Soldene (this last observation is appealing to me as a designer by career, as the bold red of the cover with its sans-serifed face sitting in happy contrast to the loose and vibrant style of the illustration of Maria Palmieri, speaks to the content’s style, where the facts are bold and without trim, but the illustrative nature of his writing is easy, subdued and genial. The designers are to commended for that level of book design). One element of the book’s design is to be lamented—not for itself, but in the book trade generally, where fashion and budget relegate portraits to small inclusions on the type-set page, drowning the photograph’s range of tones like a poor Ophelia in the river weeds (the type-friendly stock required to display the printed letter always plays havoc with the sharpness of printed images). I do miss the ‘gallery’ style of many years ago when portraits were given separate varnished paper to highlight the range of tones and it made for stronger photographs—they were also happily, larger. Perhaps one day we might see a Gänzl gallery in large format, and on good printing stock. I feel sure that the entrants in Gänzl’s work would be none too pleased and ruby faced at the dull tonal range given to their likenesses.

It almost goes without saying that it is a ’must have‘ for anyone interested in Victoriana in general, and in opera specifically, for the glittering world of the stage, and in particular opera, was an intersection between classes and a kind of unspoken estate that has not yet had a decent appreciation outside the musical world.

Kurt Gänzl is still out there, in blog and on keyboard, rowing away for the glory of the forgotten, and the benefit of us all.

Read 5 timesLast modified on Monday, 13 September 2021

Allister Hardiman

Allister Hardiman is based in Melbourne, and has been in the design industry since 1983, working in portraiture, film & television, publishing, advertising, cartography and set design. In the 1990s he started reading about early theatrical life in Melbourne, and began researching on his own shortly after, focussing on the life of Robert Sparrow Smythe. His experience in the visual arts prompted the collecting of portraits and other photographs from the 1850–1900 period, many of whom are rare singers, actors, musicians, and platform speakers. He also writes short stories for kicks, giggles and whisical colour.

The Welsh soldier who wasn't ...

 

I have just enough time before Sunday lunch, to assuage my curiosity as to the "who was" of this fine young Welsh soldier .... 5-foot-eight, eyes of brown ...

If you are clever, you can decipher his signature on the back ... and then .... begin. In Wales? No. In India.

Henry Arthur Mant WORSLEY (b Juanpore, Bengal 9 December 1860; d Wokingham 19 March 1953) was one of the many children of Colonel Henry Robert Brown Worsley of HM Staff Corps and his wife Alicia Emily née Mant.

He was destined for the Military, and sent to Britain to attend military college, which explains the uniform, and I see he was gazetted a second lieutenant in 1879 which explains the Wales.

He didn't stick it long. In March 1883, he resigned his commission. He was going on the stage. 'He had private means and had joined the profession for the love of it'. 'Light and eccentric comedy'. Pantomime in Cardiff (1883), the Duc des Ifs in Olivette (1885), panto at Bath (1886), stage manager for Vivienne Dallas, Nelson Theatre (1887). Then in was 'business manager' for Pitt Hardacre (1888-9) 'Captain H Mant-Worsley'. Lieutenant, surely.

The theatre occupied him for a good half-dozen years, but by 1893 he has become Secretary to the Corunna Waterworks Co Ltd of Austinfriars. He also married (17 September 1893), Edith Augusta Showler, the daughter of a Lincolnshire gentleman, but she died the next year in what I'm guessing was childbirth. In 1895 he is Secretary of the Westralian Gold Properties (Ltd). But that didn't work either.

Finally, he remarried (1899) Miss Annie Arbuckle Hannay, settled in Bristol, started a family, and became -- an antiquarian and antiques dealer.

His family consisted of three daughters:

Anne Joyce Miller Davidson Worsley (b Elliston Rd, Bristol 3 May 1900; d St Albans 3 December 1989)

Ursula Mary Worsley (b Elliston Rd, Bristol 1901; d Malacca, Malaysia 3 May 1953)

Margaret Cecily Anne Worsley (b Bristol 15 April 1905; d Wantage 2 February 1988)

Margaret became a schoolteacher and never married.

Joyce married a young man from Leicestershire, John Arthur Bennett in 1921. His father worked in the yearn trade in Wigston Magna, but in the 1911 census, little John is with his aunt, a grocer in Nottingham. The marriage was of short duration: John died at the age of 26, in 1925, and Joyce married (very quickly) William Walter Allen Mason (1894-1960)  electrical engineer, airman and aircraft engineer/inspector. 
I see them together in the 1939 listings, with three blacked out lines following their entry. Children?

There is something odd here, though. I find it hard to believe that there were two William Walter Allen Masons born in India within twelve months. One on 8 April 1894, the other on 8 March 1895. By Walter William Mason out of Lizzie Allen. So who is the 'Willie W A Mason' who married Irene F L Fish in 1914, had a son and, according to the family historians, died aged 37. I don't think so. This looks faintly like a little touch of ...bigamy!

If Joyce's story is a bit obfuscated, what then of Ursula's? Ursula married, in 1945, aged 44. She married a man twenty years older, Timothy Arthur O'Keeffe (b 12 November 1880), who if he hadn't 'been married seven times before' certainly had a track record. From his last brief marriage, the sometime clerk from Cork had achieved entry into Debrett. Annie Evelyn Ireland Kay of Cowper House, Dover, had been a baronet's daughter, knocking fifty when she married Mr O'Keeffe. Anyway, after a couple of years, Tim got caught screwing around, and Annie divorced him loudly. I'm sure there were other wives before and after Annie, but anyway, Tim declared himself 'independent' ... and in 1945 he wed Ursula. She had seven years of him. Then on 14 February 1953 she boarded a ship to the Orient .. with or without husband, I know not.  Three weeks later she was dead, in hospital at Malacca.
Did Tim re-re-marry?  Lord knows, but when he died in Dublin, 30 July 1966, he left a very tidy 64,000L ... I wonder where that had come from.

Father in law 'Mant' Worsley left just a few hundred. 'Independent means' don't last forever ...

CC GAY / LESBIAN INT. DRAG QUEEN & BUTCH DRAG 1880-90s CABINET PHOTOGRAPH

 

Thats what it said on e-bay ...

So I looked. Cross-dressing? Looks as if it could be. But maybe not.

BEATRICE MAY ('Bertie') TRUCKLE b New Cross 16 February 1875; d Tiverton 13 May 1943

married Edward Ernest GANE (traveller for timber importer). One son, one daughter.

PERCY LIONEL TRUCKLE b Brixton 3 April 1879; d 39 Hatton Gardens, Mitcham 14 July 1947

married Marie Valentina COWARD. 

The youngest of the five surviving children of George Truckle (1842-1907), photographer. Who probably took the photo. When? Around 1890? 

I see George operated at some stage from New Bond Street ...

Then he became 'and sons'. Well, he only had two ... so that's George Edwin and Percy ...

Does this card look as if an 's' has been squeezed in after 'son'

 

I see from the 1911 census that George Edwin didnt stick with photograph ('cashier for a cigar merchant'), but Percy did .... until he went to the war as a sapper in the Royal Engineers ...

Anyway, it looks as if this picture is a couple of young teenagers larking about in dad's studio. Nothing very gay or lesbian about it ... just a bit of fun with the fancy-dress box ... with a photo, of course, thrown in.  Chuckle, I wonder what they'd have thought had they known that over a century later ...

Holworthy: a jigsaw with missing pieces

 

This morning's dabble in the ebay shop of 'One Moment in Time' brought its usual bundle of edible-looking puzzles .. so I went for a little group which clearly belonged together ....   The last owner had labelled them 'Holdsworthy'. So that person can't have been closely related!

The HOLWORTHY family 'lords of the manor of Elsworth, Cambridgeshire' were a typical English gentry family. Army officers, endless Reverends, Esqs and Gents, Jamaican planters (and lots of Matthews and Desboroughs), but a generation further on they had become big in the non-sinecureless and moreprofitable world of buying and selling, trading and export/import. The two sons of the sometime British Chaplain to the Hague, the Reverend William Holworthy (d 27 December 1838) and his wife Sarah Churchill née Turner (m 1818), after their return to Blickling and Erpingham in 1836, both got involved in American, South American and Antipodean trading (and doubtlesss the oriental and African tours as well). And prospered mightily.

Here is son number one, William Turner Holworthy (n Hague 15 August 1820; d 28 July 1902)

He carried on business, in the 1850s, from New York, in partnership with a succession of others, married American, [Lydia] Alice Sprague, and father his first seven children there before returning to Britain, in April 1862, to take up residence at Toxteth Park's 5 Belvidere Road, with his family (now five children) and seven servants. 

Well, I see his two eldest surviving sons in our bundle. Here is Matthew William (b New York 21 December 1849; d 12 September 1889)

and here Charles Joseph (1856-1910)

Both were brought up to the world of commerce and international trading, but didn't really last the course. Matthew died aged 39, unmarried ... Charles married Alice Fitzherbert 'only daughter of the late Sir William Fitzherbert' 'formerly Lady Buckley' (d Eastbourne, NZ 1 November 1910), and they latterly lived in New Zealand where they died in 1910 within less than a fortnight of each other.

The eldest daughter is here, too: Alice Victoria (1852-1929)

Alice married architect Arthur Parry Fry, 25 October 1883, but their only child died in infancy. Aerhur must have been a good architect. When he died at Cheltenham 3 April 1919, he left his widow nearly 15,000L.

So, who else do we have? Seemingly no more of W T's children.

We have a sweet-looking Sarah of 1884

...We have a Lizzie (Mrs Girling), photographed in Berlin ..

Can't place those two yet.

Then we have Charles Matthew and Frederick William ..

Evidently brothers, though one was photographed in Göttingen and the other in Bromley. Its the cousins. Son number two's sons ...  children of Joseph Matthew Holworthy (b The Hague 16 April 1822; d Bromley, Kent 21 December 1894) and his wife Jemima O'Brien Jones from Jamaica (m 16 December 1852)  (d Bromley 27 December 1911), who settled in Kent.

Charles Matthew (b Bromley 29 January 1861; d Bromley 15 March 1909) and Frederick William (b Bromley 24 January 1860; d Kent 1922). There was a sister, too: Annie Josephine (b Epsom 19 March 1855; d Bromley 12 November 1937), but her photo isn't here. This Holworthy family spent many years plying their trade in Australia; Joseph M Holworthy & Co, of London, Australian Merchants ...

I see Mrs Fred (Sarah Lalla née Hawkes) giving birth to a son 28 May 1885, at St Kilda, where Fred is referred to as 'of Elworth, Bromley, Kent and late of Dunedin, NZ'. Sarah Lalla died in Dunedin in 1948 (5 August). Could she be our Sarah photographed in Bury St Edmunds? Her son from Australia, Frederick William Richard, 'archivist of rne English Speaking Union, London', 'county council record keeper' died in Kent in 1961.

And Lizzie? I have no idea. Of William's seven daughters only two, Alice and Amy Rose, married, and only Amy (Mts Charles Ledward) had children ... of his five sons, one died young, one went missing, one never married, Charles is credited with a dubious daughter and only Herbert (son Herbert Desborough) seems to have had a child. So where does 'Lizzie' fit in?  But who knows,? this lovely photo shows us that Florence was known as 'Polly' ...

Was there a son no3? There was a daughter, Sarah, who became (22 January 1851) Mrs George A Partridge, but bred not ... ah yes, son no3 was actually the eldest. Born in the Hague 28 December 1818. But he died in Calcutta, of the fever, 23 April 1845, at the age of 27 ... 

There's heaps more family history in this one, but enough. Let's just hope these photos find their way back to what remnants of the Holworthy and Ledward families are still around  ...

Handsome Joe: the Druid of Derby

 

A particularly handsome chappie caught my eye this breafast time. No, not on the other side of the breakfast-table: those days are way, way past.  This was, of course, merely on e-bay.

And he's labelled, too. Mr J Bullivant, Derby. Dated, 1878. Here we go. 

Mr Joseph Bullivant. Mr James Bullivant. Both sons of the elder Joseph Bullivant (1791-1870) and his wife Ellen née Woohouse. In 1878, James (b 1822) would have been 56 and an 'elastic-bandage-maker'. Joseph (b 1833) would have been 45. I think we can safely go for the 45-year-old, don't you?

The whole family started off in St Werburgh doing various jobs in the sillk, framework-knitting and Stocking making business. But Joseph was upwardly mobile. He became a book-keeper, an accountant to and then secretary to Derby Friendly Society Medical Association, inspector for the Derby Gas Co,  got involved in such local questions of importance as 'Burials on Sundays' and liberal politics.

He married Sarah née Walker (1835-1904) in 1856, and they had four sons and two daughter, of whom three sons and one daughter survived to adulthood

After Joseph's much-mourned death, 24 February 1892 -- the Friendly Society put together an appreciative  25 guinea purse for his widow --  the two eldest sons followed in his ways. Herbert (d Gerard St 27 June 1930)  took over at the Gas Company, Reuben (d 35 Crewe St, Derby 4 May 1929) became a Grand Master of the Oddfellows and a sometime director of the Derby co-op, while working as a fitter in the railways ...

Thomas (b 27 February 1870), as you see, followed where his brothers led, as chief accountant as the Gas Works, up to his death in 1943.

Sister Mary married (1891) John William Anable, 'auctioneer's clerk', and lived to the age of 84 (1953).

I shall just add that Herbert's wife (née Annie Maw) delivered him ten children (little Doris was crushed by motorbike at the local sports), Reuben's wife, Matilda né Marshall, produced three, Thomas's wife (née Elvira Rushton) limited herself to one daughter, and Mary likewise gave birth to a daughter. So, out of fifteen grandchildren, and judging by the number of extraordinarily half-hearted and erroneous family trees on the web .. somewhere there must be someone who would like to claim the dashing Joe as their ancestor!

PS I imagine the watch fob and the tiepin are parts of Druidic or other regalia.

Cowley, or The Purser of Malta

A charming family photo collection showed up today on e-bay ...

Just a very few are named, and the vendor hasn't put them on line in such a fashion as to show which photos came to her/him in the same bundle ...  so I'm going to make educated guesses ...

Just to make things difficult, although the family latterly lived in England, father came from Ireland, many of the children were born in Malta ..

Anyway the family was named COWLEY.  Father, William Haselden Cowley, born Dublin 18 February 1823, was apprenticed in his teens to the merchant navy. I see him from 1856 as purser on the Benares and the Oneida on the Australian run, and in the early 1860s on the Northam. 

He married the very young Sarah Anne Richardson from Malta, and their first surviving children were born there: Henry Telfer Cowley (28 February 1849) and George Benjamin (21 December 1851). Josephine Melita was born in Chelsea, William Haselden at Albion Rd, Stoke Newington, Charles Walter in Calcutta, Florence Edith and the last, Selina Mary back in Malta. 

So. Let us look at this package of photos.

Henry is easy. He is labelled.

Fourteenth birthday photo. Yes, there they are. Grandmother Mary Priscilla née Haselden, mother Sarah Ann, with Henry, George, Melita and William jr in Albion Rd, Stoke Newington. Photographer: C Taylor...  

I was moving on, when I noticed another photo from Taylors .. and then more ... and here was another labelled one! Sent by Sarah Ann to her mother in-law

Charles Walter born 11 September 1865 at Kidderpore, West Bengal. Photo sent from Malta. I think he may not have lived very long. I never hear of him again.

And, look, here in the pile is a cdv made up of a copy of Henry's marriage announcement in The Times ..

Notice that his father is described as 'of Calcutta'. Yet he died in Malta. 

Well, the vendor's collection was quite small, so I thought maybe I should continue with the photos therein.  Especially those from Mr J C Turner of 17 Upper Street, Islington

How can we know? Is that Sarah Ann in her widow's weeds?  Is the last photo of Florence and Selina (three years between them)? Is one of the others Melita?  

George Benjamin died as a teenager, but is one of the other men Willian Haselden jr?

Oh the vendor has mislabelled the young lad at the table. He's from J & C Taylor not Turner. But that cap on the tables looks very like the one in the photo of young Charles ...

And is this family? Or just a friend?

Well, physiognomists .. what do you reckon?

Perhaps norfolkbluebell could tell us  ...

Ah! to be in Norfolk when the bluebells are out ...

And whence came these photos?  

Sarah Ann died at 13 Little Ealing Lane 17 April 1917.

Henry died at 10 Algiers Road, Lewisham 16 October 1927, after a long working life as a bank clerk. His wife Annie (née Keeling) at Seafield, King's Rd, Great Yarmouth 12 April 1934.  They left one daughter, Beatrice Lilian who died unmarried (Basingstoke 31 July 1966).

William jr died 18 December 1935 at Romford. What he did is his 3/4 century I know not. 

Josephine died 12 January 1936 and Selina -- still living at Little Ealing Lane -- 5 June 1935, both unwed...

And that leaves Florence, who apparently wed a Maltese by the name of de Piro ... are there any surviving Pirouettes ...  or has the family quite died out?

Arthur Miles: Victorian Artist

 

Right. Masked stroll, then time to get down to The Book again. But ...

This is Arthur Miles (b Lambeth 10 January 1827; d Stroud Green 22 June 1904). Artist. I'm afraid I'd never heard of him. 

So I had a wee peep with my peppermint tea ...

Son of Thomas Miles, composer and teacher of music, and his wife Matilda Jane née Clint.  Afraid I haven't heard of Thomas, either. Plenty of brother and sisters, including one called Leonidas Clint Miles (1839-1898).  Landscape painter. Married to Helena Clint RAM. 

Can't find many mentions of them. Father went bankrupt in 1853, shortly before his death 

Here's a wee mention of Arthur

Not in awfully good company! I see 'L Clint Miles' in several gallery advertisements ..  and exhibiting at the BSA's 1860s exhibition ('Ruins by Moonlight' 15gns, 'Lane in Bushey Herts' 6gns, 'Evening' 7gns, 'Heath scene - sunset' 10gns) -- and, goodness, at the Royal Academy in 1883 ('View of London from the North West') and on two other occasions.

I also see him penning a couple of George Rowney & Co's 'Hints on Sketching' handbooks in the 1860s

The web and those 'art sales' sites have Arthur floruitting from 1851 .. someone has him dying in 1872 (that was his mother), another muddles him up with another Alfred who belongs to the 20th century. Well, although at various periods of his life he has added 'woodcarver' and 'sculptor' to his description, it seems to have been principally as a portrait painter that he worked throughout his life. He too is in the BSA 1860s exhibition ('Cheering News' 30gns, 'Matilda' 40gns, The NPG has a chalk portrait of Robson (1861) that seems to be his ...  And he is credited with 13 canvases shown at the RA. Both brothers exhibited largely at the BSA's Suffolk Street Gallery, which may or may not have something to do with their consanguinuity to the BSA's head honcho, Alfred Clint.

And maybe these?

And for Leonidas ...

Both brothers remained artists the whole of their lives, and brought up large families, so they must have sold a few 40 guinea paintings (although Arthur left a meagre 193L 18s at his death) ... I shall keep my eye out for more ...

When it opens again. Time for my nap!