When I got back to Berlin a couple of months ago, and was
sorting out my concertising programme for the coming months, Paul said to me
‘you’d like the Piano Salon’. So we booked to go to a concert. And the diva
cancelled. Douche froide.
But we tried again, and actually found a much more exciting
programme …
Tonight we visited the Salon to hear two young girls singing
the wonderful duet music of Mendelssohn, Brahms, Schumann and some surprising
others.
The venue, first. The Piano Salon Christophori in
the Uferstrasse by the little river Panke. Christoph, who
runs it, is a surgeon. His hobby is restoring old pianos. And in amongst the
warehouseful of beautiful ailing, disjointed and retired old keyboard machines
he has created a delightful 150-seat area where all sorts of concerts are
played.
It’s a place of musical dreams. It is a joy. And it certainly
was tonight.
The art of the duet has largely died. But in the later 19th
century it was alive and singing, and such as Mendelssohn, Brahms or Schumann wrote
some glorious pieces for two female voices, pieces which became huge international
hits in the hands of such as Britain’s Williams sisters, or Frlns Friedländer
and Redeker. Tonight, Bele Kumberger and Lena Haselmann brought the tradition,
for me, alive again in the 21st century, in a superbly chosen programme of
largely two-part music.
Duet singing is a very special art. Like doubles in tennis,
it is not a case of one and one makes two. Togetherness is the key…
Our two ladies tonight did pretty well on all counts. They
had an obvious empathy, and excellent technical and timing skills. My only
slight worry was that their splendidly sympathetic voices did not entirely
‘match’. Miss Kumberger has a vibrant and bright-textured soprano organ,
powerful and sometimes thrilling. Miss Haselmann has a warmer, more softly-grained
voice. Not a true mezzo, more a shy soprano, I reckon, and she excelled richly and colourfully in, especially, the French music. So, for me, some duets – mostly those where the mezzo part was
more for a second soprano rather than a quasi-contralto -- worked better,
vocally, than others.
They opened their programme – daringly - with a delightful
interpretation of perhaps the best-known duet of its time, Mendelssohn’s ’I
would that my love’; topped everything in the next set with Brahms’s grand ‘Die
Schwestern’, which burst the audience into spontaneous applause (it always got
an encore in the nineteenth century!) and, in the second half, introduced me to
the simply glorious music of the French composer Ernest Chausson. Some Delibes, some Britten (including
a very odd ‘Ash Grove’) and an interesting but uninspiring Saint-Saens to
finish … oh! encores were inevitable. I shouted audibly for a repeat of ‘Die
Schwestern’. Sadly, they only gave us the British Airways Lakmé duet, which didn’t go quite right.
It is thrilling to find young artists of this ability devoting
themselves to the great duet music of the last two centuries. Thrilling to
listen to that music well sung.
Thrilling to find a venue like the Piano Salon where they can sing it.
So it was – no other word -- a thrilling night.
And free. Wine – all you can drink – included! Donations at the door. I dug deep. If these
girls are good enough to treat me to music like that… they deserve it.
But enough. Bele and Lena, thank you for a great night out.
Christoph too. Until next time! And next time … repeat ‘Die Schwestern’.
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