Well, my season’s
over. I’ve taken in my last concert for summer 2014. Of course, it was at the
Piano Salon, which has now become our favourite concert venue … the routine is
well established these days: walk up from Humboldthain to the river Panke,
supper at the jolly Uferlos restaurant at 7pm, concert at 8.30 … home in the
dark …
Tonight was a
rather different concert. Berlin Counterpoint. A wind quintet with piano.
Piano, flute, oboe, bassoon, horn and clarinet. I’m not sure that a horn is
‘wind’ but I guess you ‘wind’ it, in classical parlance, so fair enough. All
new to me, a voyage of experience: but Poulenc was on the programme …
It was a
delightful concert. We started with a sextet by Albert Roussel. How often do
you hear Roussel? I can’t say I was excited by the work, but it was certainly pleasant,
if a little muddy, and it gave me time to look around and get to know and watch
the players.
The second item
was much more vigorous and real fun. Arrangements of Romanian Dances, made by
flautist Aaron Dan (of last year’s grand Trio Dan) for flute, bassoon, clarinet
and piano. The second and third ones were terrific. Vivacious little Mr Dan (flute)
dancing along on the top line like a pixilated flea, tall blonde Heidi easing
out the most beautiful creamy sounds from her tall brown bassoon, Milos the
replacement clarinettist ‘singing’ the tenor part gloriously, and Zeynep,
driving the dance rhythms along from the piano with huge flair. Great stuff.
And then came
Poulenc. Viola, the young oboeist, and Andrej, the horn joined in, and we had the
Sextuor opus 100. I know it now. Splendid! Grand! What a piece. What a
performance. I simply wallowed in it. The oboeist had a chance to blossom in
this one, and suddenly produced some enormous tones, and I couldn’t see what
the horn player was doing because he was hidden from my view by the
clarinettist, but some more splendid sounds wound forth … each of the players
was a personality, and yet a part of a well-soldered-together group … ideal.
How to follow
that! The second half of the concert was devoted to an arrangement of Elgar’s Enigma
Variations, made for the group by their regular clarinettist, Sacha Rattle.
Well, I’m not a huge fan of the Enigma, even with all its fiddles intact, so,
although it was well done and well played, for me it was a wee bit of an
anti-climax after the thrills of the French piece, and the fun of the Romanian
one.
But then, as an
encore, we got Mr Rattle’s lively and colourful arrangement of de Falla’s ‘El
Paño Moruno’. There is an art in choosing an encore. Something that summarises
the concert and yet will send the audience out in a
merry and appreciative mood. This was it! Although I couldn’t help thinking I’d
have loved to have had the whole seven songs.
And just a small slice of the Elgar. But that’s me.
So, another marvellous evening on the banks of the
Panke … thank you Piano Salon, and I’ll be back as soon as I hit town next
spring!
PS: Berlin Counterpoint’s new CD sits beside me. I
know, I don’t have CDs. But it’s got the Poulenc on it.